v. t. [ L. accendere, accensum, to kindle; ad + cand&ebreve_;re to kindle (only in compounds); rel. to candēre to be white, to gleam. See Candle. ] To set on fire; to kindle. [ Obs. ] Fotherby. [ 1913 Webster ]
n. Capacity of being kindled, or of becoming inflamed; inflammability. [ 1913 Webster ]
a. Capable of being inflamed or kindled; combustible; inflammable. Ure. [ 1913 Webster ]
n. The act of kindling or the state of being kindled; ignition. Locke. [ 1913 Webster ]
n. [ LL., from p. p. accensus. See Accend. ] (R. C. Ch.) One of the functionaries who light and trim the tapers. [ 1913 Webster ]
v. t.
n. [ F. accent, L. accentus; ad + cantus a singing, canere to sing. See Cant. ]
☞ Many English words have two accents, the primary and the secondary; the primary being uttered with a greater stress of voice than the secondary; as in as′pira&bprime_;tion, where the chief stress is on the third syllable, and a slighter stress on the first. Some words, as an′tiap′o-plec&bprime_;tic, in-com′pre-hen′si-bil&bprime_;i-ty, have two secondary accents. See Guide to Pron., §§ 30-46. [ 1913 Webster ]
☞ In the ancient Greek the acute accent (′) meant a raised tone or pitch, the grave (`), the level tone or simply the negation of accent, the circumflex ( ~ or ^) a tone raised and then depressed. In works on elocution, the first is often used to denote the rising inflection of the voice; the second, the falling inflection; and the third (^), the compound or waving inflection. In dictionaries, spelling books, and the like, the acute accent is used to designate the syllable which receives the chief stress of voice. [ 1913 Webster ]
The tender accent of a woman's cry. Prior. [ 1913 Webster ]
Winds! on your wings to Heaven her accents bear,
Such words as Heaven alone is fit to hear. Dryden. [ 1913 Webster ]
adj.
n.
a. Without accent. [ 1913 Webster ]